As an oil colorist it is important to work on oil primed surfaces and not universal primed surfaces. The reason is that universal primed surfaces are semi-absorbent. Gesso is absorbent even if it is plate smooth.The paint does not get absorbed as much and sits on the surface more ...As an oil colorist it is important to work on oil primed surfaces and not universal primed surfaces.
The reason is that universal primed surfaces are semi-absorbent. Gesso is absorbent even if it is plate smooth.The paint does not get absorbed as much and sits on the surface more making it easy to blend and manipulate. Granted it is not highly absorbent but the fact remains that some oil will get into the primer and flatten the image.
You can get around this by using an under-painting oil ground on top of the surface of a universal ground canvas but this is very time consuming and expensive.Unlike universal ground our oil priming chemically bonds with the oil paint and is non-absorbent allowing the paint to sit up on the surface with the correct refraction quality of the oil binder. Exclusive OP Enhanced Oil Priming! Superb receptive surface accepts even the thinnest oil color lay down without fragmenting on the surface and is a permanent surface as colors adhere better on it then any other oil primed canvas on the market today! INFO: As an oil colorist it is important to work on oil primed surfaces and not universal primed surfaces. Unlike universal ground our oil priming chemically bonds with the oil paint and is non-absorbent allowing the paint to sit up on the surface with the correct refraction quality of the oil binder.
DESIGN: Exclusive OP Enhanced Oil Priming! Superb receptive surface accepts even the thinnest oil color lay down without fragmenting on the surface and is a permanent surface as colors adhere better on it then any other oil primed canvas on the market today!